Below you’ll see some interesting reading material which could be useful one way or the other for our project Images for the Future (and of course other digitization projects). Click here for previous links. Some of the entries are in Dutch.
Kennisland (Knowledgeland) has put together an inventory of social tagging possibilities as an instrument in making photographic collections available. The analysis provides several points of reference by covering both national and international initiatives.Â Send us an e-mail (firstname.lastname@example.org) if you like to receive the entire report as PDF (in Dutch).
1. EU investeert 120 miljoen in digitale bibliotheken
2. Cloudspeakers aggregeert legaal materiaal
3. Opening soon: a digital library for Europe
4. ICT-gebruik in musea: digitalisering nog in kinderschoenen
5. Olympische Spelen in Nederland (1928)
6. Media firms find that statistics on internet piracy can be rather useful
7. Alternative film site Raindance.tv raises â‚¬ 600.000
8. Als het publiek de baas is
9. YouTube-bioscoop selecteert op kwaliteit
10. De virtuele cultuurbezoeker
The Netherlands: pioneer in digital preservation cultural heritage
The Library of Congress has recently issued a joint report on digital preservation and copyright. This authoritative report was compiled by the National Digital Information and Infrastructure Preservation Program, and in cooperation with partners in Australia, the Netherlands and the United Kingdom. SURFfoundation is responsible for the Dutch contribution.
The report, International Study on the Impact of Copyright Law on Digital Preservation, notes that digital works are ephemeral, and unless preservation efforts are begun soon after they are created, they will be lost to future generations. The report found that although copyright and related laws are not the only obstacle to digital preservation, there is no question that those laws present significant challenges.
Recommendations are provided for legislative reform and other solutions to ensure that libraries, archives and other preservation institutions can manage copyrighted digital information in a manner consistent with national and international laws.Â Specific recommendations include structuring national copyright laws to provide exceptions for preservation institutions to proactively preserve at risk copyrighted material in digital form, subject to measures appropriate to protect the legitimate interests of right holders.
The Dutch contribution to the report takes inventory of current digital preservation efforts in the Netherlands. It also looks at the way in which the Netherlands regulates the preservation of and access to digital materials: through agreements between cultural institutions and entitled parties, which ensure that 20th-century works will remain publicly available. Higher education institutions in the Netherlands, collaborating within SURF, have indicated that they want clarity about preserving and providing access to cultural resources.
The recommendations for reforming Dutch legislation also focus on works from collections in museums, archives and libraries. These works need to be digitized for preservation. A secure network would have to ensure access to these digitized works.
For the Netherlands, the report is particularly important in view of the leading international position which the National Library of the Netherlands has achieved with its e-depository. The Library is often quoted as â€˜an example of good practiceâ€™.
The importance of the report is underlined by Dr. Wim van Drimmelen, Director of the National Library. In an article in the Dutch newspaper â€˜NRC Handelsbladâ€™ of 17 April 2008, the National Library argued for removing the legal obstacles to digitizing 20th-century library collections. In addition, Van Drimmelen argues that clear regulation and legislation in this area is also of paramount importance for new, digitally born documents since their accessibility is under greater threat than that of traditional information carriers.
According to the report, copyright laws should permit preservation institutions to preserve copyrighted works in accordance with international best practices for digital preservation, including making copies for administrative and technical purposes; migrating works into different formats in response to technological developments and changing standards; and maintaining redundant copies among preservation institutions and legally authorized third party preservation repositories to protect against catastrophic loss.
The report further recommends that copyright exceptions for digital preservation should not be conditioned on the category (such as literature or music) or format (such as compact disc or website) of the work.
The Images for the Future project is mentioned at page 48.